La Ronde with Huy Hoang Dao - Oct 24/25th, 2026

$170.00
sold out

Unlike most other slanted “Round” scripts in Europe, Ronde (or “round” in French) is one of a kind script with heavy strokes and nearly upright letterform. Growing from Gothic cursive and Italian Renaissance script “Rotunda”, Ronde made it step in France and soon became a stylish hand popularized by writing masters, including Louis Barbedor. The adoption of cursive hands in French writing world produced such elegant form of Ronde that we have seen since 18th century. Ronde can be also be found in many French past colonial countries’ scribes of the French Ministry of Finance or in education.

In this workshop we will learn how to write Ronde using a classic tool, dip pen with broad edge nib and dark ink.

This class is open to all levels.

Dates: October 24th & 25th, 2026 (Saturday & Sunday)
Time: 10am - 4pm (New York Time)
Price: $150
Member Price: $110
Max Enrollment: 12 students
Location: SVA Annex, 214 E. 21st Street, Room 703A

Materials for class:

  • Small Broad edge nib (Speedball C4 or Brause 2mm) or Pilot Parallel 2 or 2.4mm or any broad edge nib fountain pen

  • Straight pen holder

  • Your preferred dark ink

  • Paper, ruler, pencil, eraser

Waitlist signups will be notified in order if a space becomes available.

Unlike most other slanted “Round” scripts in Europe, Ronde (or “round” in French) is one of a kind script with heavy strokes and nearly upright letterform. Growing from Gothic cursive and Italian Renaissance script “Rotunda”, Ronde made it step in France and soon became a stylish hand popularized by writing masters, including Louis Barbedor. The adoption of cursive hands in French writing world produced such elegant form of Ronde that we have seen since 18th century. Ronde can be also be found in many French past colonial countries’ scribes of the French Ministry of Finance or in education.

In this workshop we will learn how to write Ronde using a classic tool, dip pen with broad edge nib and dark ink.

This class is open to all levels.

Dates: October 24th & 25th, 2026 (Saturday & Sunday)
Time: 10am - 4pm (New York Time)
Price: $150
Member Price: $110
Max Enrollment: 12 students
Location: SVA Annex, 214 E. 21st Street, Room 703A

Materials for class:

  • Small Broad edge nib (Speedball C4 or Brause 2mm) or Pilot Parallel 2 or 2.4mm or any broad edge nib fountain pen

  • Straight pen holder

  • Your preferred dark ink

  • Paper, ruler, pencil, eraser

 

Please note that registration will close on October 1st, 2026.

Cancellation policy: Cancellations are allowed at any time, however refunds will only be issued if there is a waitlisted student who will fill your place.
Sickness: If you are registered and need to miss one class due to sickness (we’d rather you stay home and rest!), you are welcome to sit in a future session of the same workshop as we will repeat these introductory classes.
Member pricing: Please use the code sent to your email at checkout. Can’t find it? Check out anyway and email us and we will refund the difference.


About the Instructor:

Dao Huy Hoang is a multidisciplinary artist with almost 15 years of experience in calligraphy, pen making, and traditional Japanese arts such as Urushi (lacquer painting) and Butsuga (Buddhist painting). His artistic path reflects a deep respect for craftsmanship and the harmonization of refined lettering, sacred iconography, and the cultural spirit of East Asian heritage.

Hoang's profound love for Japanese craft traditions has led him to explore Urushi and Butsuga, while integrating Western illumination techniques — particularly precious metal gilding. This East–West synthesis brings a striking visual identity and spiritual nuance to his artworks.

He has held multiple exhibitions in Vietnam and abroad, showcasing calligraphy, illumination, and Japanese Buddhist art, earning notable recognition from the art community and collectors.

Beyond creation, Hoang is an active international educator, having taught workshops at various associations and international conferences worldwide, including in the United States, Japan, Australia, South Korea, Taiwan, Peru and countries across Southeast Asia. He travels regularly to Japan to study directly with master artisans, continually refining his craft and contributing to the preservation of traditional arts.

Currently based in Hanoi, Vietnam, Hoang continues his artistic research, handcrafted production, and global teaching, with a mission to celebrate and share the beauty of Asian traditional artistry with the world.

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