Modern Raised Gilding with Huy Hoang Dao

$170.00
sold out

Gold has always symbolized brilliance, luxury, and reverence in the arts. Since medieval times, calligraphy and illumination have used raised gilding to create a luminous surface that brings text and ornament to life. This workshop introduces modern raised gilding techniques using Instacoll, a versatile adhesive system by Kolner that allows artists to achieve high-shine, mirror-finished gold without the lengthy curing times of traditional gesso or laborious burnishing processes.

We will learn step-by-step how to prepare surfaces, apply Instacoll for high-gloss finishes, and lay genuine gold leaf to create spectacular results. We will also explore creative applications of pure silver leaf, oxidized silver leaf, and other metals.

This class is open to all levels.

Dates: June 20th - 21st, 2026 (Saturday & Sunday)
Time: 10am - 4pm (New York Time)
Price: $150
Member Price: $110
Max Enrollment: 12 students
Location: SVA Annex, 214 E. 21st Street, Room 703A

Provided materials (fee: $40, payable at the start of class)

  • Instacoll (clear or yellow) and Ormoline gilding size

  • Gold leaf

  • Assorted other metal leaves

  • Brushes #00 and #01

  • Cotton bud or Instacoll tissue for burnishing

  • Laid-out Instacoll gilding chart sheet for practice

  • Embossing tools

Self-prepared materials:

  • Pencil, eraser, ruler

  • A cutting matt (A5 or similar size) to mount paper

  • Masking tape

  • Water containers (one for water, one for soap water)

Waitlist signups will be notified in order if a space becomes available.

Gold has always symbolized brilliance, luxury, and reverence in the arts. Since medieval times, calligraphy and illumination have used raised gilding to create a luminous surface that brings text and ornament to life. This workshop introduces modern raised gilding techniques using Instacoll, a versatile adhesive system by Kolner that allows artists to achieve high-shine, mirror-finished gold without the lengthy curing times of traditional gesso or laborious burnishing processes.

We will learn step-by-step how to prepare surfaces, apply Instacoll for high-gloss finishes, and lay genuine gold leaf to create spectacular results. We will also explore creative applications of pure silver leaf, oxidized silver leaf, and other metals.

This class is open to all levels.

Dates: June 20th - 21st, 2026 (Saturday & Sunday)
Time: 10am - 4pm (New York Time)
Price: $150
Member Price: $110
Max Enrollment: 12 students
Location: SVA Annex, 214 E. 21st Street, Room 703A

Provided materials (fee: $40, payable at the start of class)

  • Instacoll (clear or yellow) and Ormoline gilding size

  • Gold leaf

  • Assorted other metal leaves

  • Brushes #00 and #01

  • Cotton bud or Instacoll tissue for burnishing

  • Laid-out Instacoll gilding chart sheet for practice

  • Embossing tools

Self-prepared materials:

  • Pencil, eraser, ruler

  • A cutting matt (A5 or similar size) to mount paper

  • Masking tape

  • Water containers (one for water, one for soap water)

 

Please note that registration will close on May 31st, 2026.

Cancellation policy: Cancellations are allowed at any time, however refunds will only be issued if there is a waitlisted student who will fill your place.
Sickness: If you are registered and need to miss one class due to sickness (we’d rather you stay home and rest!), you are welcome to sit in a future session of the same workshop as we will repeat these introductory classes.
Member pricing: Please use the code sent to your email at checkout. Can’t find it? Check out anyway and email us and we will refund the difference.


About the Instructor:

Dao Huy Hoang is a multidisciplinary artist with almost 15 years of experience in calligraphy, pen making, and traditional Japanese arts such as Urushi (lacquer painting) and Butsuga (Buddhist painting). His artistic path reflects a deep respect for craftsmanship and the harmonization of refined lettering, sacred iconography, and the cultural spirit of East Asian heritage.

Hoang's profound love for Japanese craft traditions has led him to explore Urushi and Butsuga, while integrating Western illumination techniques — particularly precious metal gilding. This East–West synthesis brings a striking visual identity and spiritual nuance to his artworks.

He has held multiple exhibitions in Vietnam and abroad, showcasing calligraphy, illumination, and Japanese Buddhist art, earning notable recognition from the art community and collectors.

Beyond creation, Hoang is an active international educator, having taught workshops at various associations and international conferences worldwide, including in the United States, Japan, Australia, South Korea, Taiwan, Peru and countries across Southeast Asia. He travels regularly to Japan to study directly with master artisans, continually refining his craft and contributing to the preservation of traditional arts.

Currently based in Hanoi, Vietnam, Hoang continues his artistic research, handcrafted production, and global teaching, with a mission to celebrate and share the beauty of Asian traditional artistry with the world.

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